Instantly afterwards, brand new narrator comes on several other photographs, one that is currently common on the reader as it provides been brought, the latest photos you to definitely their partner got of one’s link over the Adour
(fourteen.) Come across Los angeles Chambre claire: «Toute photo est un certificat de exposure. Ce certificat est ce gene nouveau que boy invention a beneficial introduit dans la famille de l’ensemble des pictures» (135).
That symmetry marks House Chagrin indelibly, while the area where they hinges is the lake by itself. In this position, simple fact is that lake and this promises the remainder of Cosnay’s land, devised both actually and you will figuratively. As the narrator informs the storyline from Bram van Velde, such as for instance, the new situations and you may stories she brings simply take its invest good chronology that the lake certifies, as a result of metaphor. Also, in the contemplating the river, brand new narrator becomes confident out-of a larger existential example, one which could have looked obvious from the beginning, but whoever truth is so trivially conspicuous this demands verification at the a further height: «La vie passe en effet» (62). Brand new river recognizes each one of the narrator’s body language, and functions as a mute experience to help you her affairs along with her viewpoint. They observes their one another since she acts so when she declines to act: «Je viens bien au coin des boulevards Alsace-Lorraine mais aussi Jean-Jaures, low loin de l’Adour ainsi que low loin de chez moi. J’ai jete les photos prises level l’homme los cuales j’aime, je me suis allongee, victime de paludisme va pouvoir-etre, de tremblements nouveaux, je me personally suis allongee dans ce soleil qui regardait l’Adour, j’y suis, c’est le minute. Jamais encore» (56).
In the current lifetime of her story, Cosnay says to of her very own query towards one to law and its own historic products:
Though the former couples evolves in the modern, just like the second is actually restricted to the earlier in the day, Bram and you will Marthe have a very good offer a great deal more narrative flesh for the their bones than just perform the narrator plus the son she enjoys
New chagrin you to definitely Cosnay invokes in her examination of during the last is actually abundantly echoed in today’s, and you can somewhat inside a statistic understood simply since the «Pierre Yards.» This new narrator claims him while the a friend, and you may refers to him once the a guy whose stress ended up, sooner, unbearable. The very first time he is mentioned on the text, Cosnay wagers for the understatement and you can discount away from phrase to help you share the size of their suffering: «Le 27 aout 2003, Pierre Yards. s’est donne la mort dans guy appartement de- la rue Saint-Maur. Apres us sejour en hopital psychiatrique, il tenta de- trouver le performed» (18). Brand new disaster are his, naturally; but it is not their by yourself. For this afflicts the fresh new narrator as well. She imagines you to definitely she notices him, a year . 5 after their death, walking for the much bank of your Adour (18). She recalls looking from the this lady pal’s inactive body, a human anatomy instantly rendered «transparent» from the death (50). She mentions that Pierre Yards. had been an author, and therefore during the night in advance of he the time suicide the guy wrote concerning the most issue from creating (42). Thinking his death, there is a minumum of one topic the narrator sees very demonstrably actually: «J’ai vu, real, ma mort» (18). Simply speaking, the fresh new narrator finds herself mirrored within the Pierre Yards., and his awesome suffering is within certain feel a mirror regarding the woman individual.
In reflecting through to this character with his character in the unique, three factors need as indexed. Earliest, Cosnay attracts the girl reader examine the happy couple your narrator and that man form for the partners composed from the Bram van Velde and you can Marthe Arnaud-Kuntz. It is a matter of focus obviously, as well as the options attendant upon diegetic prominencing; but it is plus bound right up about difficulty that the narrator experience hookup bars Kent for the watching herself along with her disease, a difficulty that will get really obvious throughout the echo views. Je n’ai rien dit de lui, quand ce n’est pas qu’il fait le concert tour des villes suivant ce ruban de- l’eau entre les rues etroites ainsi que bien contournant les grandes epingles de l’ensemble des vastes surfaces bleues surmontees d’un pont inattendue, rouge, laid et ancien, et celle-ci forme des arcs sous quoi vont les peniches» (29). Usually from inside the action, never static, the person is as hard to seize as the Adour in itself. But really identical to that lake the guy takes up a blessed, central set, in the fresh new narrator’s real world as well as in the main one she imagines. Fundamentally, this man suits this new narrator just like the an issue of site, allowing their to get her very own subjectivity on shot: «Que lui (l’aime, l’autre) soit objet ainsi que bien los cuales je le sois: meme tentation d’incertitude, flottement d’identite» (61). One passion makes up about a lot of what will happen inside publication, and the narrator’s battles was patently among the lenses compliment of and that Marie Cosnay encourages me to echo upon chagrin as well as the various molds it goes in.
Cosnay underscores again and again the trouble of relations away from the picture in addition to term, which situation subtends much of exactly what Property Chagrin must state regarding the ways and its particular uses. «Je vais venir, j’y viens,» she guarantees you, «A mon angle d’approche, bien au part d’incidence» (51), and you will surely among items that term designates are a beneficial web site in which the verbal therefore the artwork satisfy and you can meld, given that carry out the currents within the a lake. It’s a web page one to remains just over the opinions, constantly deferred and never a little reached. On the passing regarding image so you’re able to term—or regarding keyword to help you photo, even—can never be done for the a totally satisfactory trend, according to Cosnay, is as a whole you will.
This new parable one to Cosnay images here has a lot to express regarding processes one she deploys within her book, of these process try profoundly bound right up on notion of the new look. Throughout the part of House Chagrin called «Image dos,» Cosnay also provides another parable created abreast of the new photographic photo, explicitly and you will overtly casting they this time around regarding the design out-of a story, due to the fact narrative. «Il y avait cette histoire de- l’autre visualize,» says the new narrator, «et de toute visualize you’ll, vue par l’autre, une fois, superbement. [. ] La photographs parfaite de quelque femme precise, belle, blanche, reconnaissable, de- sexe ainsi que de cheveux prouvait qu’enfin quelque picked avait ete visible» (48). You to definitely photo was a foundational one to to possess Villa Chagrin insofar because they grabs the primary site of one’s novel’s topography. It is innocent sufficient, because the photo wade, but it’s subtended—somewhat virtually in cases like this—by most other pictures which might be so much more worrisome:
(thirteen.) Pick like «Ce 15 novembre je suis malade, avec de l’ensemble des reves apeures de breakup puis de- victoire finale et celle-ci, durante fin de- direction, rendent bravery. La matter exact concerne los angeles including bonne qualite, la and additionally bonne certitude de l’ensemble des choses que l’on ne voit pas» (9); «Ce suc du corps n’est plus, dirait Ovide. Il demeure l’image an effective tirer de- cela, les lignes a beneficial voir derriere le qu’on ne voit pas» (38); and you may «En ce qui concerne chacune des lettres de dessine le qu’on ne voit pas» (73).
